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Each poster is mounted in a frame that comes completely assembled. Solid backing. Easy to use. No glass parts. Excellent quality at economical price. Backing board of frame is made with a hard masonite composite. Two hooks are attached to the back for vertical or horizontal display….

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2 Disc CD + DVD combo! Shake It Up is a Disney Channel Original Series about two best friends, CeCe Jones and Raquel “Rocky” Blue, who have dreamed about becoming professional dancers ever since they were little girls. Their big break finally comes when the girls get a gig as background dancers on a local Chicago TV Dance show called Shake It Up, Chicago! Experience the fun of Shake It Up by bre…

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Burlesque, the soundtrack to the Sony Pictures film Burlesque, starring Christina Aguilera and Cher. The highly anticipated soundtrack features new recordings performed and co-written by five time Grammy winner Christina Aguilera, with production by Tricky Stewart, Linda Perry and Ron Fair and songwriting by Claude Kelly, Tricky Stewart and Sia. The soundtrack also features two brand new tracks pe…

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Imagine how much heat is lost through the small cracks and crevices in the window frames around the house. During the cold winter months it is a good idea to insulate your windows to cut down on your heating bill and eliminate drafts. Interior use 62″ x 252″ Includes 1/2″ x 33-1/5 yards of tape…

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IN 1962, CHARLES XAVIER STARTS UP A SCHOOL AND LATER A TEAM, FOR HUMANS WITH SUPERHUMAN ABILITIES. AMONG THEM IS ERIK LENSHERR, HIS BEST FRIEND… AND FUTURE ARCHENEMY….

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Henry Schein Barriers Cover Film, Clear, 4″ x 6″, 1200/bx

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In 1991, R.E.M. was already one of America’s most popular and best-respected alternative rock bands when their low-key, introspective album Out of Time unexpectedly made them bonafide superstars, selling over four million copies and spawning a number of hit singles. {R.E.M.: This Film Is On} collects video clips for several of the album’s best-known songs, including “Losing My Religion,” “Near Wild Heaven,” “Shiny Happy People,” and “Radio Song.” Also included are two performances from R.E.M.’s appearance on MTV Unplugged — “Losing My Religion” and a cover of the Troggs’ classic “Love Is All Around.” ~ Mark Deming, Rovi

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Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film’s relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography Replete with examples and discussion of moving pictures throughout

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Written with undergraduate readers in mind, these essays cover the central issues raised in today’s cinema courses and provide students with practical models to help them improve their own writing and film-analysis skills. Film Analysis also includes a helpful introduction and an extensive glossary. Already half the price of competing texts when purchased alone, Film Analysis can be packaged at 50 percent off with either A History of Narrative Film or Looking at Movies.

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French Cameramen Cover the Russia-Japan War, The First Film Record of a Major War – Giclee Print

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Fourteen papers cover three areas of film formation: Aspects of film formation mechanism, film property development in thermoplastic and crosslinkable systems, and the morphology and film structure of the resulting films. Advanced instrumental measurements are used to define morphology and determine unique film structures as well as to provide input into models of the film formation process.

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Indelible Shadows investigates questions raised by films about the Holocaust. How does one make a movie that is both morally just and marketable? Film scholar Annette Insdorf provides sensitive readings of individual films and analyzes theoretical issues such as the "truth claims" of the cinematic medium. The third edition of Indelible Shadows includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures made during and just after World War II. It addresses the treatment of rescuers, as in Schindler’s List; the controversial use of humor, as in Life is Beautiful; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue. The annotated filmography offers capsule summaries and information about another hundred Holocaust films from around the world, making this edition the most comprehensive and up to date discussion of films about the Holocaust, and an invaluable resource for film programmers and educators. Annette Insdorf is Director of Undergraduate Film Studies at Columbia University, and a Professor in the Graduate Film Division of the School of the Arts. She is the author of Double Lives, Second Chances: The Cinema of Krzysztof Kielowski (Hyperion, 1999) and Francois Truffaut (Cambridge, 1995). She served as a jury member at the Berlin Film Festival and the Locarno Film Festival, and is the panel moderator at the Telluride Film Festival. Insdorf co-hosts (with Roger Ebert) Cannes Film Festival coverage for BRAVo/IFC.

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Samsung Freeform Anti-Glare Screen Guard Film Crystal See Through Anti-Glare Screen Guard Film Pre-cut to fit the dimensions of your screen Prevents Glare Protects against scratches, scrapes and abrasion Removes without leaving residue Easy installation **Actual Phones/Devices if pictured are not included *Please be advised package may or may not include 2nd Anti-Glare Screen Guard Film if the phone/device has a interior screen or exterior screen, assume 1 is included. Please refer to pictures. Package includes 1 Anti-Glare Screen Guard Film 1 Cleaning cloth (if pictured) Type: Misc Compatibility: Samsung

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First published in 1953, the original English version of the book was reprinted 13 times without a word being changed and in translation it has become the standard work on the subject in the Spanish Czech, Polish and Russian languages. In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. the second edition has now also reprinted 13 times. On publication the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer’ and more recently i has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.’ By reisuing this book, unchanged apart from the new cover and slightly larger format, we hope that a new generation of aspiring film editors will continue to derive much pleasure from this classic text and, moreover, it will treble their enjoyment of every visit to the cinema.’ Film director, Anthony Asquith `All who are creatively and written and compiled by Karl Reisz, with the help of some of the finest brains in British film production must become a standard work.’ Film producer, Michael Balcon.

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As a soundtrack mix, Music from the Film: The Groomsmen (the film directed by and therefore starring, of course, Edward Burns) works quite well with its nostalgic mix of party tracks from the ’80s. The film offers a nostalgic look back at that decade, and therefore the soundtrack has to evince moments of looking over the past with glossy eyes. Any soundtrack that kicks off with Billy Squier’s “My Kinda Lover” is already on the right track. But add to it the Pretenders’ “Mystery Achievement,” Marshall Crenshaw’s signature version of his oft-covered “Someday, Someway,” John Stewart’s original version of “Gold,” the Motels, “Only the Lonely,” and Greg Kihn’s “Breakup Song (They Don’t Write ‘Em),” and it’s an orgy of groovy old-ness. Other quirky moments in the film are complemented by Men at Work’s secondary hit “Be Good Johnny” and the Blue Jackets garage band cover of “I Hear You Knockin’.” This is a smooth car cruise listen, or something for the afternoon while dusting the furniture or hanging on the patio. Whether you see the film or not, this is a clever basketful of tunes. ~ Thom Jurek, Rovi